Flemish painter (bc1568, Bruxelles, d. 1625, Antwerpen). Related Paintings of BRUEGHEL, Jan the Elder :. | Landscape with Windmills fdg | Bodycolour on vellum | Bouquet gf | Travellers on the Way | Still-Life with Garland of Flowers and Golden Tazza fdg | Related Artists:
Cornelis Norbertus Gysbrechts(ca 1630 - after 1683) was a Flemish painter of still life and trompe-l'œil active in the second half of the seventeenth century.
Gysbrechts was born in Antwerp, where, according to the RKD, he became a member of the Guild of St. Luke in 1660. He signed his name with "CND". His first known paintings date from 1659 in Antwerp. He painted in 1664 in Regensburg, from 1665-1668 in Hamburg and from 1668 to 1672 at the court in Copenhagen.
LA TOUR, Maurice Quentin deFrench Rococo Era Painter, 1704-1788
French pastellist. He was one of the greatest pastellists of the 18th century, an equal of Jean-Simeon Chardin and Jean-Baptiste Perronneau. Unlike them, however, he painted no works in oils. Reacting against the stately portraits of preceding generations and against the mythological portraits of many of his contemporaries, La Tour returned to a more realistic and sober style of work. The fundamental quality of his art lies in his ability to suggest the temperament and psychology of his subjects by means of their facial expression, and thereby to translate their fugitive emotions on to paper: 'I penetrate into the depths of my subjects without their knowing it, and capture them whole', as he himself put it. His considerable success led to commissions from the royal family, the court, the rich bourgeoisie and from literary, artistic and theatrical circles.
Robert Levrac TournieresThomas William Robertson (9 January 1829 ?C 3 February 1871), usually known professionally as T. W. Robertson, was an Anglo-Irish dramatist and innovative stage director best known for a series of realistic or naturalistic plays produced in London in the 1860s that broke new ground and inspired playwrights such as W.S. Gilbert and George Bernard Shaw.
